The wide-angle CN-E14.5-60mm T2.6 L S/SP provides industry-leading breadth of range; the telephoto CN-E30-300mm T2.95-3.7 L S/SP rivals best-in-class zoom magnification and telephoto focal length. Considering the RF lenses that are now available and the ability to adapt not only Canon EF, but a wide range of other mounts it is puzzling to say the least. Canon has launched its latest EOS C300 Mark III camera along with its video production Cinema EOS … Get the best deals for canon c300 mark iii at eBay.com. For more information, including accessory prices and availability, please … The Canon EOS C300 Mark III is an update to the Canon C300 Mark II in name only. Canon has just officially announced the new Cinema EOS C300 Mark III camera and a new 25-250mm zoom lens today. New Wireless LAN support for IEEE 802.11n communication in addition to existing IEEE 802.11a/b/g for the EOS-1D X Internal Bluetooth Function for secure communication with Bluetooth compatible equipment Stable design ensures sending errors can be sent automatically Enhanced camera clock synchronization across multiple cameras. Canon EF Cinema lenses are designed and engineered to meet or exceed the exacting standards of working professionals. The EOS C300 Mark III camera is modular and customizable, just like the EOS C500 Mark II camera. revealReadMore('#item2 span.long_desc'); Read More As they work together you don’t have to choose one or the other. Canon has today announced the launch of its new cine-video camera in India known as Cinema EOS C300 Mark III. Canon USA Inc., a leader in … What do you think about the C300 Mark III? Face detection AF is another autofocus mode that can track a person’s face in the frame and maintain focus on them. It's even possible to record to two CF cards simultaneously and relay-record for uninterrupted shots and copy from one card to another. When your download is complete please use the instructions below to begin the installation of your download or locate your downloaded files on your computer. The C300 Mark III offers high frame rates and internal RAW recording. At frame rates above 120, it will do a crop on the sensor and you need to be in the Super 16mm mode. From a cost and reliability standpoint, CF cards have no equal. Price: $10,998. “Form factor has been key to the success of the Cinema EOS line since the original C300. Canon Log is a special nonlinear transfer function embodied within the DIGIC DV III RGB video processing system. What you also have to take into account is that if you use the XLR inputs on the module, whatever you plug in is going to be sticking straight out (unless you have angled connectors). The Canon EOS C300 Mark III Cinema Camera is scheduled to be available sometime in June or July for an estimated retail price of $10,999 USD. A unique parallel readout process within the image sensor separately extracts the four individual components, including the two spatially offset green components (green has twice as many spatial samples as the red and blue components). The biggest difference between the Canon C300 Mark III and the Sony FX9 is the sensor size. The module also adds additional SDI ports and power outputs. The first path contains the regular, highly amplified signal. A logical layout of buttons and dials make operation simple. It is no real surprise that we are seeing a Canon C300 Mark III. That is a good question. Well, that isn’t possible, because that is where the optional module has to go. Thanks to the Canon XF Codec and the EOS C300's superior resolution, original color quality and cinematic look will hold up through post-production - with results that meet or exceed the filmmakers expectations. Unlike traditional RAW recording, Cinema RAW Light does not record in a frame-by-frame file structure. According to Canon, it is similar to the system used on the EOS R but more advanced. There is a reason ARRI cameras have a high power consumption! It also appears that the extra dynamic range you are getting on the camera is coming below middle grey. It is also compatible with anamorphic lenses. A basic window mode even enables use with the Apple iPhone®, iPod touch® and iPad®, as well as with handheld devices operating the Android™ operating system. Users can also choose from a wide range of additional optional accessories that allow them to configure the EOS C300 Mark III … The C300 Mark III will be $10,999 USD and the FX9 retails for $1 cheaper ($10,9998 USD). Given this low power draw, there is probably little reason to run a larger V-lock battery on this camera. It was a hugely popular camera for Canon, but just about everything else they have done since has been a little lacklustre, to say the least. Canon’s Cinema RAW Light isn’t uncompressed, but the files still contain more than enough information to give you very clean images, good color accuracy and a smaller chance of seeing any image artefacts. The versatile RC-V100 Remote Controller for EOS C-Series Digital Cinema cameras and the XF305/300/205/200 Professional Camcorders provide full access to all important user functions. The cameras have a Waveform Monitor (WFM) function that shows the overall brightness of a scene, with RGB Parade Display to view red, green and blue brightness or Spot Display to isolate the luminance distribution of a chosen area. With the EOS C300, it's no problem. Something the C300 Mark III can do that the C500 Mark II can’t is XF-AVC Long GOP 4:2:2 10-bit recording. To create digital files robust enough for major post-production, the EOS C300 delivers the highest image quality with its XF Codec - the same codec used by other Canon XF - professional camcorders. It isn’t that this camera can’t be used for higher-end productions, but they are trying to push the C500 Mark II as a camera that is more suitable for that. And with an entire support infrastructure designed to help you get the most from your equipment before, during and after production, the EOS C300 is ready to go to work. The DGO works across all ISO ranges on the camera. It does this without any cropping of the sensor. Canon offers a wide range of compatible supplies and accessories that can enhance your user experience with you EOS C300 that you can purchase direct. By implementing phase-difference AF, smooth focusing is accomplished using Canon EF lenses with much higher speed and accuracy than was possible with previous technologies. On the C500 Mark II the DPAF stops working once you go into the S&F mode. Hypothetically speaking, if Canon had never released the C500 Mark II and instead just made a full-frame C300 Mark III with 4K 120p recording and a Dual Gain Output for under $12,000 USD they would have created a camera that everyone would have jumped on. Scroll down to easily select items to add to your shopping cart for a faster, easier checkout. For versatility and reliability, the EOS C300's recording and terminal specifications are completely compatible with the prevailing industry standards. Their compatibility not only affords the Cinema EOS access to some of the finest optics on the market, it opens up myriad possibilities with Canon's superlative specialty lenses, including a range of Tilt-Shift lenses, Close-up lenses and even Canon's amazing EF 8-15mm f/4L Fisheye Zoom. The EOS C300 Mark III supports continuous 4K recording at up to 120fps, both in Cinema RAW Light and XF-AVC. Focus markings can be switched from standard labeling to metric. Solid state, and easy to find, 2 hours of 4:2:2 50 Mbps footage can be recorded on two reusable and hot swappable 32 GB CF cards with ease. With the same sensor (C70/C300 III), same image processor, and same camera body (C300 … The C300 Mark III features dual CFexpress card slots as well as an SD card slot which you can use to record low-resolution proxies. This page requires Javascript. If in fact, the camera does have 16+ stops of actual dynamic range that would give it the most dynamic range of any camera on the market. The EF mount has been a staple of the Cinema EOS ecosystem, but you have to wonder why they didn’t decide to go with the newer RF mount. Proprietary technologies within the photosite simultaneously lower the image sensor noise floor while enhancing the photon capacity of the photodiode - a combination that assures superb dynamic range. It features a V-lock or AB battery plate and gives you two additional audio inputs (more on the audio later). If you want to know why cameras such as the new ALEXA Mini LF don’t have high frame rates I would imagine that it is because they want the Dual Gain Output to work in every mode on their cameras. The EOS C300 body is surprisingly small (5.24" x 7.0" x 6.7") and easily hand-held at just over 3 lbs. The sensor also uses the newer Digic DV 7 processor, the same one that can be found in the C500 Mark II. Working together, Canon's Super 35mm sensor and DIGIC DV III Image Processor achieve a remarkably high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light. A correction circuit under control of a recovery filter database within the DIGIC DV7 implements this compensation. Canon says that the most dynamic range (16+ stops) can be achieved when shooting at 800 ISO in Canon Log 2. It’s almost as if Canon is forcing you to go with the optional module so that you can control audio from the operator’s side. Focal Length can be saved You can select the focal length during shooting to optimize the electronic IS effect. Both cameras are priced similarly. EF-mount EF Cinema Prime lenses are compatible with Canon EOS DSLRs - including full-frame models like the EOS-1D X and the EOS 5D Mark II as well as cameras like the EOS 7D and EOS 60D and their APS-C sized sensors. The 5-axis stabilization also works in conjunction with Canon EF mount lenses that have stabilization. You shouldn’t confuse Dual Gain Output with Dual Base ISO. Just like the C500 Mark II, the C300 Mark III can shoot in Canon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, Normal 1, and Wide DR. Preset Viewing LUTs can be assigned for each output. 24.00p mode matches the exact frame rates of film cameras, so there's no need for time-consuming frame-rate conversion. The EOS C300 incorporates the first Canon CMOS sensor designed specifically for high frame rate motion pictures, offering not only high resolution and shallow depth-of-field but also high sensitivity with low noise. The addition of Canon’s Cinema RAW Lite to the EOS C300 Mark II is no real surprise. The rectangle turns green when the subject is in focus. As you can see from the above chart, DPAF support works with the C300 Mark III in most frame rates, but if you are shooting in S&F, some shooting frame rates are not supported. An external battery/power source is necessary to drive the lens, as power cannot be supplied by the camera. This transfer function is specifically designed to facilitate the post-production of digital images originating in Cinema EOS in a manner similar to the post-production of images digitally transferred from motion picture film (the contemporary DI process). Yes, it isn’t full-frame like the FX9, but the pricing is similar and the C300’s direct competitor has always been the Sony FX series. revealReadMore('#item5 span.long_desc'); The RC-V100 Remote Controller provides full access to all important user functions, in addition to basic controls. These images are then combined into a single high dynamic range image. It also enables input marking for metadata; and offers a live view of the composition. This offers huge potential for specialty applications where cameras must be controlled remotely such as nature documentaries or reality TV. Control rings are designed to maintain the proper amount of resistance with consistent operating torque. However, it does work when you are shooting in 2K Super 16mm Crop mode up to 112fps. To further fine-tune AF performance, the camera has the ability to set the AF tracking speed and response. If you have downloaded a PDF manual and require Adobe Reader, please download the latest version. The EIS system only operates when recording in XF-AVC or XAVC Long GOP– it does not function when recording CinemaRAW Light. Click the three horizontal dots located at the top right of the browser. Just like with the C500 Mark II, Canon has put the audio controls for the C300 mark III on the right-hand side of the camera. Only four M3 screws are required to implement the change out to the alternative mounts. One prioritizes highlights and the other prioritizes shadows and dark areas. From these original video components, a 1080-line 60i format or a 1280 (H) x 720 (V) at 60P HD format are selectively derived. Big on quality, small on size. Both cameras have physical dimensions of (W x H x D) 6.0 x 5.8 x 6.6″. This is the only logical explanation. You would have thought the C500 Mark II would have got it first. Each pixel in the camera’s CMOS sensor is configured with two photodiodes. Where it differs from the C500 Mark II is that DPAF is available in far more frame rates. You can preorder the C300 II at B&H Photo and Adorama.