The song has been recorded and sampled numerous times since, most notably by Amy Winehouse, who used Marvin and Tammi’s version to create her brilliant but bleak ballad Ê»Tears Dry On Their Own’. Nick and I felt vindicated. 'Cause baby, there ain't no mountain high enough Ain't no valley low enough Ain't no river wide enough To keep me from getting to you, babe. 9/8/2015 5:18:27 PM. If you know the words to it, feel free to sing while playing, but if you don't, then I might add them on later. On the record, you can hear Joshie singing like her life depended on it. Instead, he released Diana’s “Reach Out and Touch (Somebody’s Hand).”. And no wind (no wind) And no rain (no rain) Or winter's cold Can stop me, baby (oh baby) 'Cause if you're ever in trouble I'll be there on the double Just send for me, baby Oh baby That there is no mountain so high that one could not overcome it. He had just graduated from high school in Michigan and came to New York to be a dancer. It features recordings of songs originally made famous by various artists during the Motown era. One day, I saw Nick standing in the back of our church as we sang. were doing this. We held the chorus back because listeners already knew it and expected it would come eventually. Marvin quickly realised Tammi was his perfect vocal counterpart and Motown marketed them as a beautiful young couple, in line with late-60s ideals. But for many fans, the original remains insurmountably superb. (Visit my channel to watch my video tutorial of this and other songs, search for EdsonBarretoBass). The song’s success brought us to the attention of songwriter. months earlier—recorded “Ain’t No Mountain High Enough” for a duet album with the Temptations. About Ain't No Mountain High Enough "Ain't No Mountain High Enough" is an R&B/soul song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. This was written by the Motown husband and wife songwriting duo Ashford & Simpson. Full of artistry and soul, Marvin Gaye and Tammi Terrell’s ‘Ain’t No Mountain High Enough’ is a pinnacle of pop music that cannot be surpassed. My love is alive Deep down in my heart He thought she had a great speaking voice, so he wrote new lyrics. Valerie Simpson and Nick Ashford performing on ‘Saturday Night Live’ in 1978. 3 files will be sent: - PDF Full Score - PDF Full Score and Tablature - PDF Score and Tablature edited equal to the video of my Youtube's Channel. Eddie Willis: Valerie’s piano was coldblooded. At the time, artists such as. Ms. Simpson: When we began to record, we did the rhythm track first at Motown. Proof that Nick and I accomplished our goal—creating a completely new version for Diana’s solo debut. SHEET MUSIC and complete TABLATURE of AIN'T NO MOUNTAIN HIGH ENOUGH (Marvin Gaye). The experience informed Nick and me to stick together as songwriters. Listen to Ain't No Mountain High Enough on the English music album Motown For Kids by Marvin Gaye, Tammi Terrell, only on JioSaavn. A signed version of this popular song. You don’t have it immediately. I started as a singular performer. 1 hit with ‘Ain’t No Mountain High Enough.’. Released on 20 April 1967, the song made a disappointing No.19 in the US, though it’s now regarded as a classic. I was still a senior in high school then and sang in the choir at the White Rock Baptist Church in Harlem. I wanted everything done so she’d hear all of it in her headset. About “Ain’t No Mountain High Enough” “Ain’t No Mountain High Enough” marked the first collaboration between soul artists Marvin Gaye and Tammi Terrell in terms of releases. By then, Nick was singing with a New York gospel group called the Monarchs. But tragedy struck when Tammi collapsed onstage alongside Marvin on 14 October 1967; she was diagnosed with a brain tumour. “Ain’t No Mountain High Enough” stuck around, probably because of that huge, world-conquering chorus. Ain't no mountain high Ain't no valley low No river wide enough to stop me When I call His name He comes in a hurry I don't have to worry Cause I know that there Chorus Ain't no mountain high enough To keep me from tellin Tellin everybody no Ain't no mountain high enough Nothing can keep me … I’m also amused by how many people think the original and Diana’s solo version are two different songs with the same title. Aint No Mountain High Enough review. Nick was the perfect mouthpiece for my melodies, and my piano inspired his lyrics. I've listened to this song a hundred times before but somehow when we listened to it together for the first time, it can't get out of my head. Dusty Springfield heard it and liked it, but the canny tunesmiths held on to it, believing this moving song could provide leverage at Motown. Motown Records headquarters in Detroit, circa 1965. on The Story Behind 'Ain't No Mountain High Enough'. I also sang in the Followers, a gospel vocal group. The duration of song is 02:16. I liked it. left the Supremes, her version of the song went to No. Motown/UMe in November released “Diamond Diana,” an album of remastered Diana Ross singles that includes a remix of the song. There was a group of us in church, and my [preacher] father used to call me up singularly… which was rather frightening at first. It was an easy relationship. Required fields are marked *. Save my name, email, and website in this browser for the next time I comment. I’ll just say that when you’re writing love songs all day long with someone, you can wind up falling in love. Nick Ashford and Valerie Simpson wrote Ê»Ain’t No Mountain High Enough’ and we thought it was fantastic. Then in 1970, after. He was walking down a Manhattan thoroughfare, determined that New York City would not get the best of him; the words "Ain't no mountain high enough" popped into his head. In 1968, The Supremes and The Temptations recorded it together, with Diana Ross and the Tempts’ powerful new lead singer, Dennis Edwards, fronting it. I guess I came on.”, Motown signed Tammi Montgomery in 1965; formerly of James Brown’s revue, she’d recorded a few singles at other labels. This arrangement, while it sounds largely like the tune, is pretty weak. recently looked back on the song’s evolution. ‘100th Window’: A New Sonic Opening For Massive Attack, ‘Stonedhenge’: Ten Years After’s Monument To The Late 1960s, ‘Morning Phase’: Beck To The Future With Spiritual Sequel To ‘Sea Change’, ‘Sweet Thing’: Rufus & Chaka Khan Inspire David Bowie & Nile Rodgers, ‘Post Card’: Mary Hopkin Sends A Musical Message Via Paul McCartney, ‘Amélie’ The Musical Brings Theater Experience With Soundtrack Release, Sebastián Yatra And Guaynaa’s ‘Chica Ideal’ Tops Latin Airplay Chart, Hear The Black Crowes’ Previously Unreleased ‘Waitin’ Guilty’, Nick Jonas To Debut New Single During ‘SNL’ Performance, Country Singer-Songwriter Adam Hambrick Unveils ‘Flipsides’ EP, ‘Temptin’ Temptations’: America Yields Again To Motown Heroes, ‘Come And Get These Memories’: Vandellas Help Shape The Motown Sound, ‘War’: Edwin Starr’s Powerful Motown Message Wins A Grammy, ‘My Cherie Amour’: How Stevie Wonder Closed The 60s With A Classic, Rising R&B Star Emanuel Drops A Cappella Video For ‘Thought It’d Be Easy’, Watch The Official Music Video For KEM’s ‘Live Out Your Love’, Mary Wilson, Much-Loved Founding Member Of The Supremes, Dies At 76, Motown To Relaunch Black Forum Label, Reissue Historic Spoken Word Albums, SiriusXM Launches Black History Month Channels Honoring Black Artists. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, becoming a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. hitting the metal rim of his snare drum with his sticks. It did. Your email address will not be published. She hadn’t had a big hit yet. Once his monologue for Diana was completed, I worked on a new structure for the song. Aged just 24, she passed away on 16 March 1970, leaving behind some of the most uplifting records ever recorded, despite her debilitating decline. To find out more, go to http://www.singup.org To do well there, Nick and I knew we needed a great song. That famous rattlesnake sound in the introduction—tick-a-tick-a-tick—was. Marvin was amazing. When I hear Diana’s version today, I’m proud of how it came out. Listen to the best of Marvin Gaye and Tammi Terrell on Apple Music and Spotify. In the years that followed, something happened between Nick and myself. The singers recorded their parts separately, producers Johnny Bristol and Harvey Fuqua stitched them together. Motown loved it and wanted the song for singer Tammi Terrell. Get the complete drum chart for this classic track. We stretched Diana. Here's the piano version of Ain't No Mountain High Enough. >> During his walk, he worried about whether he’d be able to remain in the city. Play online or download to listen offline free - … Besides, there wasn’t much point rehearsing it. Ain't No Mountain High Enough by Marvin Gaye and Tammi Terrell - discover this song's samples, covers and remixes on WhoSampled Sometimes, thinking this way helps us take on different challenges and can be helpful. Gaye said: “That was a good beginning because I had no idea Tammi was as good a singer as she turned out to be. Eventually I edited the song down to 3:32 so we could get it out. Edited from interviews: in church in 1962. Full of artistry, Marvin Gaye and Tammi Terrell’s ‘Ain’t No Mountain High Enough’ is, fittingly, a pop pinnacle. Doctors later diagnosed she had a brain tumor, which kept her from touring. Ain’t no mountain high enough Ain’t no valley deep enough Ain’t no river wild enough To keep me from you. Pop never felt more intimate or ecstatic. Nick Ashford was inspired by an experience when he first moved to New York. Spanish translation of lyrics for Ain't No Mountain High Enough by Marvin Gaye & Tammi Terrell. When “Ain’t No Mountain High Enough” was released by Tammi Terrell and Marvin Gaye in 1967, the single peaked at No. I loved the lines, and we used them to write a love song. He was staying at a friend’s apartment on Manhattan’s Upper West Side. It builds.”, That was fine for the album, but Berry insisted we at least cut it down for the single. Ms. Simpson: After New York, we overdubbed the choir parts and background vocals at Motown. That’s me on the record throughout. If the 60s gave us the love generation, here was an anthem full of love. Listening to Valerie’s piano, I felt the song called for a majestic, symphonic approach. There were rumors that Diana was about to leave the Supremes to become a solo artist. Source "Ain't No Mountain High Enough" by Marvin Gaye and Tammi Terrell and was heard at the end of Guardians of the Galaxy when Star-Lord opens his deceased mother's present: a tape titled "Awesome Mix Vol. Listen to Diana Ross Ain't No Mountain High Enough MP3 song. That’s when he noticed that the buildings along the park looked like mountains. Nick and I resisted at first, so Berry held off releasing it as the album’s first single. Months earlier, Marvin had a hit with. Man, she could really play. Words came to him: “Ain’t no mountain high enough / Ain’t no valley low enough / Ain’t no river wide enough / to keep me from getting to you.” The “you” here meant success. Or winter's cold can stop me baby oh no 'Cause you are my goal If you're ever in trouble I'll be there on the double Just send for me oh baby Send for me, ooh baby. Tammi Terrell and Marvin Gaye singing ‘Ain’t No Mountain High Enough’, Diana Ross performing ‘Ain’t No Mountain High Enough’, The Story Behind 'Ain't No Mountain High Enough', Diana Ross scored a No. We really got the best out of her. "Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla Motown label. Weighty In The Eighties: When Prog Rock Went Pop, Best Loretta Lynn Songs: 20 Essential Country Tunes, ‘Control’: How Self-Assertion Made Janet Jackson An Icon, Best Wes Montgomery Pieces: 20 Jazz Essentials. Nick said to Berry, “It’s like an orgasm. 2".. But when we gave the song’s final 6:18 mix to Berry, he felt it took too long to get to the chorus. Since the chorus didn’t come until late, I wanted the choir in the introduction to sing the chorus as “Ahhhs.” This worked like a Broadway musical overture, teasing what was coming later in the song. Her demise is said to have contributed to Marvin Gaye’s battle with depression, which fed his fretful masterpiece, What’s Going On. 1 R&B hit. Get the latest soul news straight to your inbox! Even though there were three of us on guitar, we never got in each other’s way. Mary Wilson: Tammi had a great record with “Ain’t No Mountain High Enough.” But in October ‘67, she collapsed on stage while performing with Marvin. It was too intricate for the Supremes and Temps to sing together on stage. When we were done, we recorded a demo with me on piano and Nick singing. Mr. Riser: After the rhythm track was done, we flew to New York to record the strings and brass. Words came to him: “Ain’t no mountain high enough / Ain’t no valley low enough / Ain’t no river wide enough / to keep me from getting to you.” The “you” here meant success. Nick and I wanted one of our songs to run longer than the usual three minutes. on “It Takes Two.” So Marvin was added to Tammi’s record to help its odds on the charts. Producing is about getting something special out of an artist. It means that there isn't anything too high or too big to stop you from being with someone. Well, watching this uncle and niece perform Marvin Gaye and Tammi Terrell’s ‘Ain’t No Mountain High Enough’ may do the same for you. being said that (which no one asked to know): I … Our first hit, “Let’s Go Get Stoned,” was written with, recorded the song a year later and had a No. asked Nick and me to produce her first album. And Marvin really did see himself as a solo artist, saying, “I didn’t start with a group. The first thing I did was record the rhythm track with the Funk Brothers, the label’s house band. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, becoming a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. Full of artistry, Marvin Gaye and Tammi Terrell ’s ‘Ain’t No Mountain High Enough’ is, fittingly, a pop pinnacle. But his auditions didn’t work out, and he wound up homeless. Tammi Terrell was Marvin Gaye’s third female duet partner at Motown. I don’t recall us performing the duet on the road. I hadn’t had a chance to hear her. He’d met his wife and composing partner, Valerie Simpson, in 1964 at a Harlem church, and, alongside fellow-writer Jo Armstead, made a major breakthrough with 1966’s ‘Let’s Go Get Stoned’, a smash for Ray Charles. It was one of the most glorious achievements in 60s music, rising from a delicate opening to a shattering climax. The iconic figures at the beginning are "simplified" from the original figure into repeated block chords. We had a nice run there until May, when the gospel club was picketed by a Harlem church. After we were introduced by his friend, I talked him into joining the Followers. Print and download choral sheet music for Ain't No Mountain High Enough by Marvin Gaye arranged for SAB Choir + Piano Includes piano accompaniment in Eb Major. Though its roots lie in gospel, the song was inspired by a walk through Central Park, Manhattan, and the mountain of the title was the city’s skyscrapers, representing the ambition of songwriter Nick Ashford. Ashford and Simpson, by now Motown backroom royalty, created an ambitious symphonic reimagining for Ross, which made No.1 in 1970. We decided to try it with “Mountain.” But we needed a different approach so it sounded new. Ain't no mountain high enough Ain't no valley low enough Ain't no river wide enough To keep me from getting to you babe. I wanted those there to build suspense before Tammi’s lead vocal came in. Material is the right word. Full drum sheet music for Ain't No Mountain High Enough by Marvin Gaye & Tammi Terrell with Uriel Jones on drums. A tremendous piece of material.”. But many radio DJs played the album version instead. He’d already enjoyed hits with Mary Wells and Kim Weston, but both quit the company, leaving Marv to pursue solo success. The following spring, the Supremes—Diana Ross, me and. We did. She told each of us what to do, and we stayed close to what she wanted. Then I overdubbed the Andantes vocal group filling in around us. In early ’63, the Followers performed at Sweet Chariot on West 46th Street. Ê»Ain’t No Mountain High Enough’ continued to soar. I’m not sure what real love is. We agreed we didn’t want to move things around. 19 on Billboard’s pop chart. Right now I should be studying for finals, but I did this instead, so enjoy! I loved the lines, and we used them to write a love song. After Tammi recorded her vocal, the producers decided the single would be stronger as a duet. He was there looking for a hot meal. Paul Riser: I first heard the demo in my Motown office in late ‘66. Your email address will not be published. He overdubbed his vocal so it wrapped around hers, as if the two of them were in love, singing to each other in the studio. I created an introduction that began as an instrumental and led into a choir that set up Diana’s spoken voice. The song had sensitivity and strength. The minister felt gospel had no place in a club. We delayed the song’s familiar chorus—“Ain’t no mountain high enough / ain’t no valley low enough”—until about 4 minutes into the song and treated it as the climax. For the choir, Joshie Armstead sang the top notes, I sang in the middle and Nick was on the bottom. 1. the song’s co-writer, Motown arranger Paul Riser, guitarist. When all of the music and background vocals were on tape, we had Diana come in to record her vocal. Ms. Simpson: When Diana left the Supremes in the fall of ’69, (Motown founder). Nick and I married in 1974. Today, sound files ping across the internet and collaborations happen without artists even meeting, but in 1967, duets were normally recorded together. Even so, the record sounds like Marvin and Tammi were united in the studio, urging each other higher and higher. Ain't No Mountain High Enough: A Tribute to Hitsville U.S.A. is the 22nd studio album by Michael Bolton. When “Ain’t No Mountain High Enough” was released by, in 1967, the single peaked at No. 19 on Billboard’s pop chart. No wind, no rain. However, the true hook of "Ain't No Mountain High Enough" is the impressive chemistry between Gaye and Terrell: she balances his gospel grit during the verses with a sweet alto tone but he steps back to let her voice soar over his during the show-stopping chorus. But Ashford and Simpson had an eye on a contract at Motown, and believed that a new composition, ‘Ain’t No Mountain High Enough’, was what Ashford called “the golden egg”. Nick and I thought about it and listened to it several times. Ain't No Mountain High Enough song from the album Diana Ross & The Supremes Join The Temptations is released on Sep 2013 . When we were done, we recorded a … She could do it, and she didn’t mind going for it. All the songs, proverbs and age-old adages seem to suggest that if you work hard enough, you can do it all. Basically that you'll always be there for that person … Some people [at Motown] who were on their toes dug her sound and realised we may possibly make a good duet. If soul was about physical passion in a gospel context, this song is its apex. Mr. Riser: When Valerie and Nick gave me their new piano-vocal demo, it was precisely structured. Nick told me about lyrics he had written while walking down Central Park West. Ain't No Mountain High Enough is a popular song by Tammi Terrell | Create your own TikTok videos with the Ain't No Mountain High Enough song and explore 1 videos made by new and popular creators. SKU: MN0138291 Song information for Ain't No Mountain High Enough - Diana Ross on AllMusic Motown renamed her Tammi Terrell and, after some moderate-selling solo releases, decided to try her as Gaye’s female foil, starting with Ê»Ain’t No Mountain High Enough’. It became his highest charting studio album in the US since 2002. This song is sung by Diana Ross. I played piano with the Funk Brothers. The mountain Marvin Gaye, Tammi Terrell, and later Diana Ross, sang about in "Ain't No Mountain High Enough" was NOT inspired by a mountain at all ... according to the legend who wrote it. Nick suggested we have Diana narrate an extended verse.